Sound has shape.

Every print begins as a real frequency.

The Solfeggio set is older than the equal-tempered scale we now take for granted. Six tones, each whispered through Gregorian chant, each said to act on something specific in the body — release, repair, return.

Cymatica is a small archive that takes those tones seriously. Each piece in the catalog begins with the actual frequency, sustained in a chamber, photographed where its standing waves take physical form. The image you see on the wall is not symbolic. It is the geometry of the sound, made visible.

Modern playlists round the numbers off. They call it 528 Hz because the math is cleaner. But the original tone — the one the monks were sustaining — sits five cycles per second lower, at 523. Five cycles is the difference between a key on a piano and the key next to it. It is the difference the body can feel.

This shop is an attempt to keep the numbers honest. To put the original frequencies — recorded, not rounded — back into the world as prints, as audio bundles, as small reference cards you can keep on the studio wall.